My yapping woooo
Entry 8:
11/08/2024
media link
intro
| SPACECAT /ᐠ-ꞈ-ᐟ\ | Description | Evidence + Explanation |
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opinion
preview
Entry 7: Even in my fantasies, make-believe couldn't make you
11/01/2024
Queer Romance - Soap Away Your Time
intro
| SPACECAT /ᐠ-ꞈ-ᐟ\ | Description | Evidence + Explanation |
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opinion
preview
Entry 6: I'M SO SAD, WHYYYYYYYYY ToT
10/27/2024
Netflix Might Be Seriously Removing Its Best Original Anime in 4 Months
When I was younger, around late elementary to middle school, there was a Netflix original that completely changed my brain chemistry. It was one of the first pieces of media that got me deeply wrapped up into fandom culture, along with Percy Jackson and the Olympians. I had dreams about this show, vivid ones that sent me into spiraling bouts of longing for when the newest season would be released and if the characters would finally stop getting their personalities assassinated. I legit cried when I watched the final episode. I loved that show, and that show…
…was Voltron: Legendary Defender.
But the media I’m looking into today is not just about VLD (an acronym for the show’s name). It’s about how VLD is GETTING REMOVED FROM NETFLIX. AHHHHHHHHHHHHHHHHHHH ToT
| SPACECAT /ᐠ-ꞈ-ᐟ\ | Description | Evidence + Explanation |
|---|---|---|
| Speaker | Evan Valentine is the writer for this article, and the publisher, ComicBook, is a news outlet part of Savage Ventures that publishes coverage on entertainment news that ranges from gaming, to anime, to movies, and to superhero comics (and much more).
In the article itself, there is a claim that VLD is one of Netflix’s biggest anime originals, which the author supports by mentioning how beloved the show was with its fans that they even tried several times to campaign for a ninth season after the show ended with eight seasons. |
Through these screenshots, we can see some background information on the article uthor and the publisher. Evan Valentine has prior experience in writing for entertainment outlets, but does not specify which ones. He also graduated from Loyola University but does not state what his major was, which would’ve been a helpful indicator of his experience and credibility as a writer or someone who analyzes entertainment if it was relevant. ComicBook as a publisher has a steady outreach with 44 million unique visitors, and they also directly contact entertainers and industry professionals in their news reports, interviews, and reviews on media. |
| Purpose | The article's purpose is meant to inform readers on the recent development that VLD may be removed from Netflix soon on December 7th, but to also tell fans what will become of the franchise’s future after the fact. It also expresses an opinion that Netflix would be removing on of its best original anime. | |
| Audience | The audience is mainly people who enjoyed VLD. | The actual show released its last season in 2018, so the main audience of VLD has dwindled. So, this article mainly concerns children who may have recently started watching VLD and people who are still attached to the show in 2024 despite the fandom and the show itself no longer releasing episodes. |
| Context | In the article, it mentions that despite Netflix finding great success with its animated originals and technically “owning” VLD (since it is a Netflix Original), it still hasn’t been enough to change their decision to cut VLD from Netflix. There’s also some context as to just how much fans enjoyed VLD, including trying to push for more seasons after the final 8th season was released. | Some examples of successful animated Netflix originals mentioned on the article were Love, Death & Robots and The Dragon Prince . Also, the article mentions that the reason while Netflix does own VLD, it was still a collaboration between Netflix, DreamWorks, and Studio Mir. These circumstances mean that Netflix’s rights over VLD may be expiring this year. Lastly, in the article, it was mentioned that there were several fan campaigns meant to push for a ninth season of VLD, a testament to the fans’ passion for the show. |
| Exigence | ||
| Choices | ||
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I greatly, GREATLY loved Voltron. It was my favorite show from late elementary to middle school, and I got really deep into the fandom. And again, I had DREAMS about that show and alternate endings to the eight season that aCTUALLY WERE SATISFYING FOR THE CHARACTERS- So, yea, learning about what’s gonna happen to Voltron: Legendary Defender disheartens me a lot. It was one of Netflix’s exceedingly popular animated series, and it was something beloved to many fans, especially on a lot of tweens’ lives as they matured. I definitely think a lot of fans would feel a similar sorrow over losing the show and not knowing where we could watch it once it’s removed from Netflix. I just really hope that VLD finds another streaming service where its fans can continue to enjoy it.
Or, at least, that live-action reboot isn’t too horrible.
Next week, we're talking about something that messed with my brain chemistry almost as much as VLD did: queer romance in media (or the lack of it, or worse, the disfiguration of it).
Entry 5: METAL (it's not metal, but it does sound cool)
10/18/2024
Muse - The 2nd Law: Unsustainable
An interesting detail about this song I saw in the comments is that despite how artificial some of the sounds were, it was actually an experiment on pushing what kinds of sounds a guitar could produce. So, that’s pretty sick. But to the actual content of the song, it’s pretty straightforward. A lady states the Second Law of Thermodynamics, and then a robot tells you you’re unsustainable. However, the way the guitar has been pushed to its limits give the song that aggressive tone that makes it feel like it’s gonna pick a fight with you and the rest of humanity for what we do to the planet. Again, pretty sick.
| SPACECAT /ᐠ-ꞈ-ᐟ\ | Description | Evidence + Explanation |
|---|---|---|
| Speaker | The speaker is the band Muse, an English rock band that consists of Matt Bellamy, Chris Wolstenholme, and Dominic Howard. | The band has a mainly alternative rock style, but they’ve also incorporated other genres like electronic and pop in different album. In the album this song is in, “The 2nd Law”, there is sounds of art rock and progressive rock also incorporated. Within the actual themes of this song, it obviously goes into how the way humans use energy is unsustainable and detrimental to our futures. The album as a whole had themes of “societal collapse, totalitarianism, and the second law of thermodynamics” on “a deteriorating planet that its inhabitants can no longer live on.” |
| Purpose | In terms of the actual music production, this was meant to be an experiment for the band (specifically with the sound) and included collaborations with other artists in order to accomplish this. The album’s story itself is as stated earlier: a concept album about a detoriatying planet that its inhabitants can no longer live on. | See evidence in previous row for the album’s story. The music production of this album was meant to push the band’s boundaries, and some ways they did this included: collaborations with a variety of people like composer David Campbell, using a digital MIDI controller to create the song’s main bass riff, and having Wolstenholme sing lead vocals for the first time in “Save Me” and “Liquid State” (as normally the lead singer is Bellamy). |
| Audience | A typical audience would just be those who are fans of Muse. However, people like the genres of the song and album (those who like electronic, alternative rock, and progressive rock) would find this song appealing. Additionally, those who like the artists who collaborated with the band may enjoy this song. Lastly, the actual story of the song and its themes that center around sustainability through a dystopian setting may appeal to those who are environmentally conscious and/or those who enjoy sci-fi. | The collaborations Muse did for the album is a clever way to get more of an audience since they could draw on fans of those other artists (but then again, it’s not that Muse doesn’t have a massive following in it of itself). The music production style and storytelling are also unique from other Muse releases, so this could also make their audience bigger. |
| Context | The album had influence from dubstep producer Skrillex, and many other songs stories’ drew on the personal experiences of the band members. Additionally, Bellamy has said he drew inspiration from the novel World War Z (and a song from the album, “The 2nd Law: Isolated System” became featured in the book’s film adaptation. | |
| Exigence | ||
| Choices | ||
| Appeals | ||
| Tone |
opinion
preview
Entry 4: Fabulous, Foolproof Fixing of Follicle Fell
09/27/2024
Haircare - Soap Away Your Time
I really like styling my hair. Space buns, half-up dos, spiky high ponytails, braids, and hair clips upon hair clips. You name it, I've tried it (or attempted to and failed, but I argue cosmetology is a difficult art to master) I've always loved experimenting with my hair for a long time, ever since I watched the movie "Tangled" and Rapunzel became my favorite princess when I was a young tot. Hell, I even committed to keeping my hair really long for years afterwards because I wanted to be just like her. However, this dream was unrealized because, one, I'm no longer fully a girl and having really long hair kinda pains me, and two, I just didn't take care of my hair well enough to keep my hair ridiculously long. So, what to do? Well, Aseob (a dearest friend of mine) has wrote a blog post that answers my woes!
Heh, this is a blog post on a blog post. Blog-ception.
| SPACECAT /ᐠ-ꞈ-ᐟ\ | Description | Evidence + Explanation |
|---|---|---|
| Speaker | The speaker is the creator of the blog, Aseob Lim. He's got a lot of knowledge on hair care and styling, especially with maintaining the perm he used to have and the various times he's dyed his hair, and this experience is part of what gave him this stance on keeping up a haircare routine (especially when you undertake processes that are especially damaging). |  (Please click on the screenshot to see it in full size. This will be applicable to all the images in this week's posts.) While I know about Aseob's hair styles given I was there to see them, this evidence is him giving a bit of his background in styling and maintaining hair from his own words. |
| Purpose | This post's purpose is to inform people on various tips and steps you can take to care for your hair, as well as an outlet for Aseob to talk about some of his interests in an educational manner. |  This paragraph near the beginning of the post introduces the topic of haircare, and then outlines various problems (ex: dandruff, hair damage, hair thinning, etc) that can be solved by it. While there is no outright call to action, there are steps backed up by research (which we will discuss in the Choices and Appeals row) that is highly recommended (and can be altered depending on your hair's needs). |
| Audience | People (ME) who need to step up their self-care lest any luscious locks they possess disintegrate, or people who simply hold a love for hair styling and the practices needed to ensure your hair stays healthy when you put it through the wringer. | When Aseob outlines all those various issues you can have with your hair in that previous screenshot, those are reasons that a person would want to read this blog post. Also, Aseob also mentions this: "I talked about hair damage and hair care to fix it this entire time, but I never mentioned one of the biggest parts of hair that I’m interested in. Hair dying!" So, this post is just as much for hair enthusiasts and not just |
| Context | There's a few layers of context around this blog post. One, I was on a call with Aseob while he was cutting his hair (and his hair looks so slay now) and it prompted Aseob's idea to make this blog post to talk about something that interests him, and two, Aseob also details some of the history around maintaining one's beauty (from Roman bathhouses to using perfume during the plague), so that was pretty cool. |  This bit of info Aseob got about bathing and the usage of perfume during the Middle Ages was from his first source in his bibliography, at the bottom of the post. The information from that source also talked about how the history of cosmetics were influenced by things like class (bathing was a ritual of the rich) or even religion (where in Christianity, the usage of perfume was seen as a symbol of pagan traditions). Also, to explain what happened during that call with Aseob, Aseob was cutting the bleached tips of his hair that were damaged, and then the conversation went on to haircare, and Ithought his knowledge on it was really cool, which prompted him to write about it! |
| Exigence | The need for this post ranges from the health concerns it mentions, to the anecdotal reason that Aseob wanted to first start this blog (and write this first blog post) to talk about his interests. | Refer to the screenshot in the Purpose row. The need to inform people who are concerned about the health of their hair (ex: me, when I had that call with Aseob) prompted him to write this blog post in addition to wanting a space to write about things he's interested in. |
| Choices | There are a few instances where Aseob writes comments about his opinions throghout the blog post, like when highlighting specific aspects of hair styling he likes (see the quote I mentioned in the Audience row about Aseob's fondness for hair dying). Aseob also uses facts on health in order to back the advice he gives about hair care, like common hair health concerns or different routines and treatments (like hair masks or hair vinegar , which I’ve never heard of before) proven to help maintain your hair. Lastly, there is the sources Aseob references throughout his post and cites in his bibliography at the end (seen in the screenshot in the evidence column). |  Also, refer to the screenshot in the Purpose row. Aseob’s personal experience gives anecdotal evidence on some of the tips explained in his post, the facts, like "shampoos have a lot of chemicals in them, including sulphate. The sulphur is in shampoos because it serves as a vital component of the job of the shampoo. They help strip the oils from the scalp⁴" (Lim sites.google.com), serve to ensure the routines mentioned are backed up by science, and the sources cited bring credibility to the research mentioned. |
| Appeals | Pathos is used through bringing up personal experiences that provide info on various practices hair care practices through Aseob’s perspective. Facts and research (logos) support the tips Aseob gives in his blog, which is paired with the ethos of Aseob using credible sources in his bibliography. | Refer to the evidence in the Choices row. Even though this is a personal blog, there still needs to be rhetoric devices in order to support the information being presented. The pathos is used to relate to peoples’ experience, the logos is used to explain how various treatments work, and the ethos is used through the cited sources to make sure the audience knows where the information is coming from (and whether they can trust it). |
| Tone | The tone of this post was earnest and instructive. |  This screenshot of steps for a hair care routine, combined with the previously shown evidence of Aseob giving his comments throughout the post, lend to this approachable tone in the post that still has the feeling of assisting the reader. |
I think if I disagreed with this post, I’d be a bit silly ‘cause I know absolutely nothing about keeping my hair healthy. Also, the way Aseob put so much effort into researching for this blog post? Like, he could have just done what a more typical blog would do and just give his own hair care routine. Instead, he gathered research and information that made all of these steps to hair care and hair dying make both logical and practical sense. Also, it helps that he cited all his sources because now I can also look into the information on my own. So, yea, I’m gonna be implementing this stuff into my own routine!
P.S. I also am adding a song to the audio player that I think fits this week's post and vibes. Have fun!
Next week, we will be looking at a song. It’s pretty metal (it’s not metal, but it’s super cool and sounds really techno, but it’s actually all the sounds of physical instruments).
Entry 3: The Plethora of Struggles When Rosie the Cat Doesn't Call You Ugly
09/20/2024
Animal Crossing Villagers Used To Be Real Jerks (& Way More Fun) You see, I didn't get to experience the joy of Animal Crossing: New Horizons when it was at its height during Covid's quarantines, but I did want it so immensely bad that I got it for Christmas a year or two afterwards. I've been lovingly... albeit on and off, playing it ever since. My island is growing, especially that one hideous pile of furniture I have solely to increase the island rating while I'm busy hunting for the stuff I actually want, and my villagers are beautiful and silly (thanks to one of my friends who let me borrow their Sanrio amiibo cards). So, what else could I possibly want?
Well, apparently, you could want the villagers to call you a "dirty rat". According to this article published on ScreenRant (linked above), the Animal Crossing villager's previous meaner and somwehat even darker dialogue brought a lot of unique personality to each of the villagers, rather than the more basic and cookie-cutter dialogue of newest game in the series, New Horizons. There are several reasons as to why the older titles had more charm, more realism and personality, and why Nintendo should bring back the range in the dialogue options (even if it isn't brutal insults) in order to make interacting with the villagers less of a "you've seen it once, you've seen it all" ordeal and into the enjoyable conversations they used to be. Personally, I love how friendly the villagers are in New Horizons, but we shall see if that's just mere weakness.
I play Animal Crossing, albeit I’ve only played New Horizons, so I fall under the newer audience that didn’t get to grow up with the villagers’ old snark. However, after reading this article and seeing the previous, more colorful interactions of the villagers… hm, I have mixed feelings on the argument of the article. I do agree that the dialogue gets repetitive and that it should be expanded in a way that’s special to each villager, instead of just based on their personality types. Also, I would love to see the villagers’ give wholesome and thoughtful advice like they did in the old games, because I feel like the generally younger audience of Animal Crossing (including myself) would greatly benefit getting to hear that from the villagers we’re attached to. However, I don’t think that means making all the characters meaner or anything. I think the characters with sassy or grumpy personality types should definitely get to say things more amusingly out of pocket, but for the peppy characters or the sisterly ones, that would be a really odd interaction if a character known for being sweet randomly calls you ugly and weird. I’d say the main thing Nintendo should focus on is just making sure each character has more unique things to say, even compared to other characters of their same personality type, but they don’t all need to insult you.
Next week, we’re gonna be looking at the art of cosmetology… specifically, a blog post on hair care and hair dying! Hair care is something I’ve been looking to get into, ‘cause I want to see if it makes styling my hair easier (and also, the obvious benefits to having healthy hair). And hair dying? A dream I’ve yet to fulfill, but I will live vicariously through that blog.
P.S. The audio player will have some tunes courtesy of your favorite Animal Crossing music icon, K.K. Slider :3
Entry 2: For With Such Sacrifices, We Are Well Pleased
09/13/2024
Tili Tili BomContent Warning: This video contains flahing lights/images, human experimentation, themes of pseudo-religion, and death. By extension, this post itself will be discussing those topics.
Happy Friday the 13th! I didn't even realize what the date would be when I decided this week's media. What a happy coincidence.
Anyway, what exactly are we looking at this time? Well, to expand on my preview from last week, this video is not a review; it's some direct artwork from Vivinos! Very creepy at that! While the video is very metaphorical and ambiguous, here's what I (and a few others in the comments) have interpreted: This video depicts two rats at the beginning whom are being used for experimenting make-up products on (as revealed in the end of the video). After the beginning, the rats are then depicted as two young human girls alongside warped religious imagery, to show how the girls (the rats) are glorified sacrifices for our own needs until the day we discard them, leaving them and their suffering forgotten. And of course, paired with the artwork of the video, the sound of the Russian lullaby scaring children to go sleep haunts the story. So, what exactly this (very unsettling) work is trying to say?
P.S. The song "Tili Tili Bom" will be on the audio player for your listening perusal :] Also, apologies for this being another video, but I'd argue it's very different from the previous week's media given it is specifically an artistic piece rather than a review or video essay. However, next week, the media will be in a different medium!
| SPACECAT /ᐠ-ꞈ-ᐟ\ | Description | Evidence + Explanation |
|---|---|---|
| Speaker | The speaker is the creator of the video and the channel owner, Vivinos. Vivinos is a Korean animator and artist who has created works involving cute aesthetics, romance, and horror. In this video, there is an argument being made against any "necessary evil" or sacrifice for our benefit through animal cruelty in products, specifically make-up products. |  This video is part of the ⚠️ series Vivinos has, where they explore more solemn/disturbing topics through their unqique art. In the video itself, personified depictions of the experimentation rats go through for make-up testing is shown in a horrorfic light (around 1:27-1:40) to establish the argument of this video. |
| Purpose | This video is meant to unsettle and disturb viewers with the realities of animal cruelty in using them to test products. There isn't an outright call to action, but the horror of the video is something that would invoke a sense of justice/morality in many. | The rats appearing at the beginning and the end of the video, with one dead at the end and her suffering as she was being experimented on being personified, are clear messages to the audience about the horrors of animal testing. Additionally, the song "Tili Tili Bom" adds to that disturbing mood. |
| Audience | Viewers of Vivinos's channel and also people who gravitate towards horror content in general. |  Vivinos's subscribers are an obvious audience, but her horror series (as displayed earlier in the Speaker section) attracts people who enjoy horror content in general. |
| Context | Make-up products in Korea are highly popular, being one of its biggest industries. The style of the video itself was, as said by Vivinos herself, inspired by the movie Midsommar (2019). Also, Korea has a large Christian population. | The Official Website of the International Trade Administration says that "South Korean-branded cosmetics labels (K-beauty) continue to grow in popularity, particularly within Asia. As one of the top 10 beauty markets in the world in terms of global market share, South Korea, in 2022, had a market size estimated at $3.9 billion". Combined with the high demand for make-up products, the Humane Society International, providing this alarming statistic that "South Korea’s annual statistics on scientific use of animals reveal a record-high 4,995,680 in 2022, continuing an alarming upward trend" and "Nearly half of animals used in 2022 were subjected to the most severe category of experiment in which they are denied anesthetic or tranquilizing drugs while being exposed to massive doses of chemicals or used for cancer or infectious disease studies that will result in their deaths", it paints a concerning picture on how common animal testing is in the K-beauty industry. The intense demand for K-beauty products, combined with the data of how pervasive animal-testing is in Korea, lends to the disregard of animal testing being criticized in the video. The style of the video, as well as a reference when the girls are being paraded around, refernces the film Midsommar (known for its story featuring a surface-level idyllic town and eventual disturbing events).  Lastly, the PEW Research Center shows that 32% of Koreans identify as Christian, which is greater than the other countries' individual Christian populations shown in the graph. The religious imagery that focuses on themes of Christianity (especially with the death of Jesus) is likely due to Christianity's presence in Korea, in turn affecting Vivinos. |
| Exigence | The need to spread awareness about animal testing in K-beauty, especially how pervasive and extreme it is, is likely what invoked the creation of this video. There's also the artistic side of inspiration, as Vivinos cited Midsommar for influencing the visuals. This video fulfills the need to not only spread awareness on animal testing, but to also create a sense of empathy and horror so the audience feels more strongly about the issue. | The earlier evidence from the Context of this video also explains the Exigence for it. The high demand for K-beauty products leads to high use of animal testing, in order to keep up with the demands of the industry at the suffering of the animals used to make those products. The influence from Midsommar enhances the emotion of the video, making the artwork resonate more with viewers so the message is stronger. |
| Choices | This video has stylization galore! The personification of the mice in the form of young girls works to spark empathy and horror in the audience, especially when the experimentation is depicted. The gruesome visuals creates strong feelings of tension, along with the music that builds up tension throughout the story of the video. Lastly, the warped religious imagery creates a comparison between religious martyrs and the girls, or more accurately, the lab rats. The rats are being sacrificed for peoples' needs, but their suffering is for far more superficial reasons. | The song "Tili Tili Bom" is a haunting Russian children's lullaby that scores the video. From around 0:33 to 1:29, the girls are shown to be chosen to help save people from this unknown illness alongside warped religious imagery and symbols of Christianity to present them as holy martyrs. It creates a sense of unease to see what they put the girls through after they parade them around and celebrate them. From 1:27 to 1:50, the suffering the girls go through echoes the testing the lab rats go through (especially as specified as being denied anesthetics while they intake massive doses of chemicals that will result in their deaths from the earlier information from the Humane Society International). |
| Appeals | This video strongly, strongly appeals to pathos. The unease, horror, and sadness this video sparks through its visuals and music is meant to get the audience to feel the injustice of what lab animals go through in order to produce K-beauty products. | The song creates unease and tension given how its original lyrics are already horrifying (as it's describing a story to scare children into sleeping or else some man will break into the house), the warped religious imagery draws eerie parallels between the rats and martyrs who die for others' needs, and the torture and death depicted encourage a visceral reaction from the viewer as they watch what the girls (aka, the rats) go through. All of this is to ensure the audience feels strongly for the realities of animal testing. The specific time stamps can be found in the Choices section. |
| Tone | Well, given everything that was just discussed, this video is creepy! It's horrorifying! And it's being used to show the realities of animal testing in a way that induces horror in the audience. | To reiterate: the music, the warped religious imagery, the personification of the rats as young girls to scare the viewer even more as they suffer, and the depictions of experimentation lead to the disturbing atmosphere of the video. |
This video's conclusion is haunting, and after I initially watched it, it disturbed me greatly (which was the point after all). I love Vivinos's art and storytelling. She doesn't shy away from tragic topics (given her other videos go over everything from obsession to the bullying young queer people often go through), and she balances her cuter art style with the gravity those topics deserve. And the music she chooses for her videos? They're always such great (if not eerie) listens, and my playlists are overflowing with them. And honestly, after doing this rhetorical analysis, I'm even more inclined to agree with the message of the video after learning the statistics of animal testing in K-beauty. Thinking about it, I think this video could have greatly benefitted from having some sort of logos included. Maybe in the end of the video, or in the description, as nothing could be more haunting than the facts. However, the video itself was powerful with the visuals and music it already had. It made the viewer uncomfortable. And when being confronted with the wrongs of reality, discomfort to the comfortable is needed to do justice to those who are suffering.
Next week, we'll be going into something that's a big tonal shift from this. Have you ever played Animal Crossing: New Horizons? Do you enjoy interacting with the goofy little characters? Don't you like how friendly and sweet they are? Well, apparently some of the older players don't exactly enjoy that. Why? Well, the characters were way meaner before! And an article on Screen Rant is giving, well, a rant on this misfortunate development in the series. (Personally, I love how goofy and sweet the characters in New Horizons are, but that might just be because of my enjoyment of bullying the ones I don't like cuz the worse they'll do is glare at me and stomp their feet rather than verbeally beat me up).
Entry 1: Their Last Performance
09/06/2024
Why Alien Stage is SO GOOD - Miss FimbletonIf you recall my little bio on the homepage, you may remember me mentioning an interest I have in a piece of media known as Alien Stage. To go into more detail, Alien Stage is a webseries directed by a YouTuber known as Vivinos, a Korean animator and artist who's previously made webseries involving themes of horror, queer romance, and cute aesthetics that serve to compliment the romance and contrast with the horror. This series in particular features the premise of a singing competetion between humans in the far reaches of space, in a universe where Earth no longer exists. A universe where humans are no longer at the top of the food chain but are now mere pets and puppets for aliens to find entertianment through their "crying noises" or singing. The catch about this singing competition, however, is that if you don't succeed in entertainin the alien audience, you die. However, the media I will be discussing is actually a video review of this series that explains the appeal of it and why people should consider watching. The YouTuber analyzing the series, known as Miss Fimbleton, goes over reasons this series and similar series succeed to explain why the themes of Alien Stage resonated with people so much.
| SPACECAT /ᐠ-ꞈ-ᐟ\ | Description | Evidence + Explanation |
|---|---|---|
| Speaker | The speaker is a YouTuber who's channel name is Miss Fimbleton, who mainly focuses on reviewing pop culture (specifically animated media and K-pop). As she speaks about the plot of Alien Stage, she expresses she views it in a very positive light and considers the art, storytelling, and music as something that can easily spark empathy despite the episodes' relatively short length. She also draws similarities between Alien Stage and other popular shows (The Hunger Games, Survivor, and Squid Game) to further elevate Alien Stage. | 2:04 to 2:14 (reasons), 2:15 to 3:06 (similarities to other shows), and 4:13 to 5:14 (encouraging empathy). There's no transcript available, so that's why I've provided specific time stamps. The reasoning the speaker gives to justify the show's appeal (beautiful artwork, usage of music to inspire empathy in a short amount of time, and a unqiue twist to a premise of similar survival game stories) demonstrates her perspective on why she thinks Alien Stage is a successful piece of media people should watch. |
| Purpose | This video is meant to encourage viewers to watch Alien Stage and there is a call to action at the end of the video. | 7:16 to 7:21. This is pretty straight up. Alien Stage is amazing! And you should watch it! |
| Audience | The audience is mainly for those who fall under Vivinos's and Miss Fimbleton's audience: those who enjoy animated media and pop culture. However, it also includes people who have never heard of Alien Stage (hence encouraging people to watch it and using other shows people may have heard of/enjoyed in order to encourage them to watch it) | 
Please click on the image screenshot to view it in its original size. Miss Fimbleton's bio shows her interest in fandom culture, and her viewers have similar interests. |
| Context | Alien Stage had gone up in popularity, which Miss Fimbleton discussed, due to the release of the Round 6 episode on April 5th and YouTube's algorithim, for whatever reason, deciding to promote it. This subsequently resulted in Alien Stage's presence expanding across social media (especially Twitter/X) and drawing in even more people. There has been a surge of fan art, theory discussions, and even other analyses on the series, like this video. Hell, it's even prompted this blog post because Alien Stage makes me both foam at the mouth and sob on the floor. She also touches on the political message Alien Stage has. In Alien Stage, humans have become a lower-class, mere pets to their alien overlords. There were similar themes of the upper class treating people "below" them as disposable in the movie "Parasite", direted by Bong Joon-ho. Alien Stage's director also has a Korean background and Korean society is known for having a more rigid class structure due to low social mobility. |  In the video, from 3:06 to 3:42, she talks about how Alien Stage had a relatively small fanbase until after Round 6 was released, where interest in the series skyrocketed shown via Google Trends in the screenshot and shows the reason on why more people are becoming fans. From 6:25 to 6:57, she discusses the political context behind Alien Stage's story and how it influenced Alien Stage and another popular piece of Korean media. |
| Exigence | The video's creation was sparked by the rising popularity of Alien Stage across socical media leading to Miss Fimbleton discovering the show on April 6. From there, she made the video to fulfill the need of analyzing the why behind the success of a series she and many others are enjoying and using that to promote the series. | 3:46 to 4:13. Miss Fimbleton talks about how she discovered Alien Stage and her resulting love for the series (not even an hour after discovering it) prompting her to consider buying $80 merch. It's definitely not the msot expensive merch in the world, yes, but I personally see that as a pretty expensive purchase for only knowing about a series for less than an hour. Anyway, that's besides the point. There was an urgency to understand the series and share it with others in this channel, just like the many other fans who have been makking content for Alien Stage. |
| Choices | As previously mentioned earlier, Miss Fimbleton uses examples of other popular survival competitions that turn suffering into spectacle to demonstrate the similar appeal Alien Stage has to them. She also talks about how the music quickly encourages viewers to feel empathy for the characters in a way that normal words can't, as well as the heart of the story (that personally makes me cry every time) of how the human thing we do is put all our faith and love into each other in order to survive another day on this Earth (or in the characters' case, in the cold, unfeeling stars). Another merit of the series was its popularity boost due to the YouTube algortithim and how it managed to get all of those new fans hooked, which was shown through both an anecdote from Miss Fimbleton and a graph via Google Trends. Lastly, the political messaging Alien Stage was examined which further enhances the weight of the storytelling in order to translate the social hierarchy in South Korea to something that feels out of this world (all puns intended). | 2:04 to 2:14 (reasons of the show's appeal), 2:15 to 3:06 (similarities to other shows), 4:13 to 5:14 (encouraging empathy through music), 6:08 to 6:24 (the heart of the story), 3:06 to 4:13 (popularity boost and getting hooked on the show) and 6:25 to 6:57 (political themes). We'll further dissect the usage of rhetoric in all of these examples in Appeal, but I can say all forms of rhetoric were utilized throughout the argument in order to encourage people to watch Alien Stage. The variety of media used in the video (clips from the show, clips from other shows, graphs and screenshots of other fan interactions) are all choices that serve to further the argument. |
| Appeals | Miss Fimbleton uses ethos by bringing up other media (the Hunger Games, Squid Game, and Parasite) to draw comparisons between the successful premises and themes between Alien Stage and them. Logos is present through the facts of Korea's society and class conflict, as well as showing the numbers of Alien Stage's popularity boost. She uses the pathos through the music of the show, directly bringing up the idea of empathy in order to immerse ourselves in the joy, anger, and sadness of the characters as they are forced to outperform each other and potentially even be the reason their loved ones die. The core of the story, the thing that makes it unqiue to other survival competition shows, is the fact the characters don't get to directly speak to each other off-stage, so the music and deep devotion characters have for each other is what makes us celebrate, rage, and cry with them. | Previously brought up in the Choices row. By talking about other similar shows with great success, Miss Fimbleton uses their reputations and themes to appeal to viewers who've never heard of Alien Stage. This helps viewers to better understand the show and entice them to watch it if they enjoyed those other similar media. Using the data from Google Trends and explaining Alien Stage's popularity due to YouTube's algorithim gives a factual representation of Alien Stage's appeal if it's amassed and kept such a following in such a short amount of time. Also, describing the political reasoning behind Alien Stage's premise gives it more value, as it shows Alien Stage is also rooted in issues that deserve recognition. Lastly, discussing the music's abstract nature and emotionally charged composition shows the emotional appeal of Alien Stage, along with the moral complexities and tragedy that awaits the characters. |
| Tone | Overall, the tone of the video is conversationally informative while being lighthearted. | The beginning of the video to 0:29 and 7:16 to the end are notably comedic (including the language, sound effects, visuals, and music), while the other parts of the video that delve into the content and merits of the series (ex: 2:02 to 3:06 as it discusses why the show works) are informative while still being presented in approachable, everyday langauge. This tone is used because it is, after all, discussing pop culture and entertainment as well as enticing people to partake in watching Alien Stage. It's supposed to be infomrative enough to help people understand what the deal is with the series, but also amusing enough that it doesn't feel weirdly formal, pretentious, or distant to the audience. |
Now, do I agree with this review? ABSOLUTELY. I chose this review in order to examine what others find to be Alien Stage's appeal because I was one of the earlier fans of Alien Stage, having been a fan of Vivinos prior to Alien Stage even being made. The plot and character relationships of this series make me scream, cry, keel over and faint from the sheer tragedy of the series and how the songs are absolute BANGERS. It wasn't discussed in this video, but there are religious themes/references aplenty in this series to explore the idea of what happens to humanity when we have no home, no reason to have faith, no reason to believe in any God or higher beings besides the aliens that have conquered us. And the series answers that question by saying the thing that makes humanity human, even when there is no solid Earth beneath our feet, is when we find selfless, all-encompassing love and faith in each other, a god in each other. To love and feel without restriction is what makes the contestants still human when there's no pride or home left to define them. However, this video brought up details about the show I wasn't even aware of, like the groundedness the show has with its political messaging (though, I probably should have figured given it's literally about humanity being reduced to mere livestock and entertainment). Though, to expand on how the show touches on real-life issues, it can be argued its a hyperbolic critique of the idol industry in South Korea, what with fans (or in the show's case, cruel aliens) dehumanizing their idols while also greedily relishing their performances despite the exploitation happening behind the scenes. Alien Stage finds success alongside other survival competition shows due to the idea of hyper-entertainment Miss Fimbleton brings up, the morbid amuseent of pushing entertainment to its limits. Yet the thing that makes Alien Stage stand out is the fact of how so much emotion is delivered through the music in such brief packages, and without any spoken dialogue between characters like in traditional shows. If the video's insight along with my own doesn't at least paint a positive picture of the show to you, I have no idea what will. So, yes, if you appreciate good music, morbid competitions, interesting commentary on real-life issues through outlandish circumstances, and love and tragedy, Alien Stage is a wonderful show to live not only rent free in your head, but actively ruin whatever is going on in there. Next week, expect a direct dissection of one of Vivinos's other videos. If you thought Alien Stage was a morbid story, this next one will make it seem like a mere fairytale. More accurately, the Disney kind, as opposed to next week's tone that feels more reminiscent of the Brothers Grimm.
Oh, and one more thing: I have provided an audio player so you can take a listen to the song in the prequel video to Alien Stage. However, I would suggest watching Round 1 on YouTube first to get a true sense of what the show will be about. Here is also a link to the full series in order of release: 🌠 ALIEN STAGE